Early settlers found few safe natural harbours around the South Island. Otago Harbour, eroded from an ancient volcano, provided safe anchorage, and was chosen as the site for the city of Dunedin. George O’Brien’s 1872 watercolour, ‘Otago Heads from Signal Hill’, shows the harbour before the surrounding hills were largely cleared of forest.
Poet Brian Turner wrote about the peninsula on the harbour’s south-eastern side.
There, beneath a portcullis of rain
lie the bones of time-rent men and women.
They lie awash in the slush
that saddened and sometimes defeated them.
Scabby hedges cling to the slopes
of hills yoked by sky.
Here the whole range of earth’s colours
sprawl on paddock, stone wall and crumpled sea.
Nothing is left untouched by sparse sunlight,
slanting rain, fists of wind punching
the ribs of the land. Here, under tough grasses
and the crust of sheep and cattle tracks
crumble the fondest dreams and prophecies.
No one came who stayed to conquer, no one came
who was not beaten down
or turned away for another time.
Permission to reproduce poem courtesy of Brian Turner.
Te whakamahi i tēnei tūemi
Auckland Art Gallery – Toi o Tāmaki
Watercolour by George O'Brien
Permission of Auckland Art Gallery Toi o Tāmaki must be obtained before any re-use of this image.