A 1992 documentary, Buying art, selling Billy Apple, examined the artistic practice of one of New Zealand's best-known post-object artists. In this excerpt, Billy Apple talks about his arms-length approach to making works, and the role of critic Wystan Curnow as a creative collaborator.
Using this item
This item has been provided for private study purposes (such as school projects, family and local history research) and any published reproduction (print or electronic) may infringe copyright law. It is the responsibility of the user of any material to obtain clearance from the copyright holder.
Courtesy of Howard Taylor Productions and Frances Weston