In the later 1970s and 1980s many women artists rejected the requirements of a male-dominated art world. Their priority was the development of feminist and female imagery, such as the central goddess figure of Vivian Lynn’s 1986 installation ‘Gates of the Goddess – a southern crossing attended by the Goddess’.
Image courtesy of Vivian Lynn
Using this item
Auckland Art Gallery – Toi o Tāmaki
Mixed media by Vivian Lynn, 1986
Permission of Auckland Art Gallery Toi o Tāmaki must be obtained before any re-use of this image.